I am a big Spike Lee fan, I think he’s one of those filmmakers with such an important voice that everyone needs to watch his filmography. So when I learned about 25th Hour, I was surprised that I had never heard of it before. And while reading about it beforehand and watching it I couldn’t understand how this was a Spike Lee film, it just didn’t feel like one of his movies. But that’s not a bad thing really, because it’s still a very good movie, it just doesn’t feel like a Spike Lee movie.
25th Hour isn’t really hard to watch, emotional yes but you never feel uncomfortable. Which is weird when you think about the subject. It plays on your emotions the whole time and leaves you breathless. It gives you hope only to take it back and it does it perfectly with it’s ending. It gives you a little hope that Edward Norton’s character, Monty, will be able to run away and have the life he dreams but instead it takes all of that away and ends with an ending that just leaves you speechless.
It’s an ending that looking at it after a few hours of having watched the film sums up life so perfectly. Monty knew where he was going this whole time, the whole film is him accepting it. And when he finally starts to accept it, someone gives him a little hope only to have it all taken away. It’s something that showcases the best and worst of humanity. Monty did bad things in his life to survive and he needs to pay for his sins but at the same time we have started to love him and it’s hard for us to not want him to get his happy ending.
25th Hour never feels like a Spike Lee movie and maybe I missed that a little too much just because of how much I loved Lee’s voice as a filmmaker but I think that the film works even without it. There’s something quite special about the film, outside of the superb acting. I can’t quite describe my feelings because I think that this whole film leads to its knockout ending really and I don’t want to spoil too much.
25th Hour isn’t Spike Lee’s best work but it’s a piece of art that deserves love and recognition because it’s damn impressive.
Okay so this one is a bit of a cheat, but it’s technically a made for television movie musical so I will count it in. I’m a theatre musical junkie and RENT has always been one of those musical that I just never got enough. So for this live version, I had high expectation. It never could have lived up to them really, especially after it was announced that Brennin Hunt, who portrayed Rogers, broke his foot during dress rehearsal. Instead of cancelling or postponing the show, or even have an understudy, the producers decided to air the pre-recorded rehearsal.
RENT Live could have been great, it had the cast for that but because you could tell a lot of the performers were saving their voice for the live show, it just falls short. But that doesn’t mean it wasn’t without its standout. Just like in Jesus Christ Superstar, Brandon Victor Dixon proves the star power he truly has. And just like in Grease Live, Vanessa Hudgens showcases a talent that many don’t give her enough credit for. And Tinashe surprised me so much, she was one of my favourite part of the whole show. Funny enough, Brennin Hunt for me was the low point of the show. I never truly cared for his Rogers.
RENT Live doesn’t feel like it belongs on FOX and you can’t tell it censored itself. The camera work was weird at times, and I often told the audience to shut up in my living room. It’s something weird, because can we truly judge a dress rehearsal but at the same time by airing it, the production told us to do so. It’s a thing that during the whole show I simply wanted them to just have decided to go with an understudy. Someone told me that why these shows work is for the star power but the problem is that Brennin Hunt is not that, yes he is an established singer but compared to people like Tinashe, Brandon Victor Dixon, Kiersey Clemons, Vanessa Hudgens and Valentina.
I wish RENT Live had found another solution than the one they did but I can’t do anything about that. I enjoyed it because it’s Rent but I wished I did more. I have to admit that I did shed a little tear at the end when this production and the original Broadway cast singing together. It was everything I wanted and more.
It’s insane to me that since Attack The Block, Joe Cornish hasn’t directed anything at all. Attack The Block was one of those little gems that not enough people saw, unfortunately. So when I learn that The Kid Who Would Be King was his return to the screen, it made me happy and then I learned that it was a modern adaptation of the Arthurian legend and my heart just burst.
Continue reading “Day 24 – The Kid Who Would Be King (2019)”